The Haunting of Migdalia Cruz
Many of Migdalia’s plays, from the very early Miriam’s Flowers to Fishtank and Two Roberts in this volume, live in limbo lands, the “where do
Mythologizing the Self Through Autofictional Theatre
Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play blurs personal history with artful invention, even as the
The Legacy of Robert Wilson
The Segal Center is pleased to announce an upcoming conference exploring the work of renowned U.S. theatre director and visual artist, Robert Wilson, and its
We Hear You—A Climate Archive on the World Stage
The We Hear You creative team put a lot of thought into the structure of our gatherings. In addition to the stories themselves, we wanted
The Art of Staying in a (Rigged) Game
In playwriting circles, there is a trend to announce on social media that “I got rejected by XYZ for the umpteenth time and I’ve decided
Open Writing Studio with Kit Yan and Melissa Li
Ring of Keys is thrilled to host writers Kit Yan and Melissa Li for a look into their collaborative writing process for musical theatre. The
The Matter of Plexus Polaire’s Moby Dick
There is a well-trotted story that Herman Melville, as he was writing Moby Dick from his study in the Berkshires, saw in the snow-covered humps
How to Find the Way in Executive Search for Arts Organizations
Build the Reason for the Trip A good journey requires a good amount of planning, and each theatre organization I work with requires a different
Palestinian Storytelling | HowlRound Theatre Commons
Marina Johnson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
Open Writing Studio with Kit Yan & Melissa Li
Ring of Keys is thrilled to host writers Kit Yan and Melissa Li for a look into their collaborative writing process for musical theatre. The