Internationalisation and the Caribbean | HowlRound Theatre Commons
The conversation will be in English, with translation into Spanish and French, and with live captioning. Background As part of its pluriannual program co-funded by
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Toolkit for Community-Embedded Artistic Practice
Where Do I Go? Go where the people are—and expect to spend a hell of a lot of time there. I started in houseless spaces
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Rant and Rave: Middle Eastern, North African, and Southwest Asian Classics and Theatre History
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
Resistant Ventriloquism and Postcolonial Courtesy
In this episode, we continue our conversations around theatre history with Dr. Samer Al-Saber for a conversation around resistant ventriloquism and postcolonial courtesy. It is
Ecological Horror On Stage in Black Sunday
Jesús leaves California after his wife and children are deported in the La Placita Raid, a 1931 raid in Los Angeles where authorities rounded up
Iraqi Theatre History | HowlRound Theatre Commons
Nabra: That’s so fascinating and really also confirms what we’ve been saying in this season a lot, which is that MENA and SWANA cultures have