Resistant Ventriloquism and Postcolonial Courtesy
In this episode, we continue our conversations around theatre history with Dr. Samer Al-Saber for a conversation around resistant ventriloquism and postcolonial courtesy. It is
Ecological Horror On Stage in Black Sunday
Jesús leaves California after his wife and children are deported in the La Placita Raid, a 1931 raid in Los Angeles where authorities rounded up
Iraqi Theatre History | HowlRound Theatre Commons
Nabra: That’s so fascinating and really also confirms what we’ve been saying in this season a lot, which is that MENA and SWANA cultures have
The Haunting of Migdalia Cruz
Many of Migdalia’s plays, from the very early Miriam’s Flowers to Fishtank and Two Roberts in this volume, live in limbo lands, the “where do
Mythologizing the Self Through Autofictional Theatre
Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play blurs personal history with artful invention, even as the
The Legacy of Robert Wilson
The Segal Center is pleased to announce an upcoming conference exploring the work of renowned U.S. theatre director and visual artist, Robert Wilson, and its
We Hear You—A Climate Archive on the World Stage
The We Hear You creative team put a lot of thought into the structure of our gatherings. In addition to the stories themselves, we wanted
The Art of Staying in a (Rigged) Game
In playwriting circles, there is a trend to announce on social media that “I got rejected by XYZ for the umpteenth time and I’ve decided
Open Writing Studio with Kit Yan and Melissa Li
Ring of Keys is thrilled to host writers Kit Yan and Melissa Li for a look into their collaborative writing process for musical theatre. The
The Matter of Plexus Polaire’s Moby Dick
There is a well-trotted story that Herman Melville, as he was writing Moby Dick from his study in the Berkshires, saw in the snow-covered humps