The Ellen Van Volkenburg Puppetry Symposium
The Ellen Van Volkenburg Puppetry Symposium brings together practicing Festival artists with scholars to consider the intersection of puppetry with other disciplines and ideas. Before
Remembering Our Friend Diane Ragsdale
David: You talk about new leaders. Katie, you wanna jump in here? Katie Steger: Thanks, David. Yeah, I do. I think Diane is so much
Catching History on the Fly in Javaad Alipoor’s Trilogy
Rich Kids: A History of Shopping Malls in Tehran was a two-hander, combining two performers, projection, and a live Instagram account to tell a story
Ghostlight Project 2025 | HowlRound Theatre Commons
We get it. There doesn’t feel like there’s enough time to do anything. We’re exhausted from the past year and stressed for what’s to come.
The Community, Conversations, and Collectivism of 2024
Impactful, Accessible Digital Content So many brilliant theatremakers and arts workers contributed their knowledge and expertise to our platform this year. You can see what
Studio Luna’s Evolving Trajectory | HowlRound Theatre Commons
Jeffrey Mosser: Dear artists, welcome to another episode of the From the Ground Up podcast, produced for HowlRound Theatre Commons, a free and open platform
2025 Under the Radar Symposium Keynote
The 2025 Under the Radar Symposium kicks off with an exciting and robust keynote event. Free and open to the public, this dynamic gathering brings
Theatre Advocacy Project Believes Human Resources Makes Accountable Theatre and Braver Art Possible
Amelia: I facilitate sessions using the TAP curriculum you designed, Colette. I’m curious, how did you develop that curriculum and the self-guided online courses? What
How Many SWANA Performance Artists Can We Talk About in One Episode?
Nabra Nelson: Salam Alaikum! Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
Continuing the Legacy of Philip Arnoult
The first time I met Philip Arnoult was in a conference room at Towson University, during the first few weeks of my MFA in theatre