From Perfectionism to Play with Malia’Kekia Nicolini
Malia’Kekia Nicolini: Growing up, I hear directors say, “Oh, just go play with it.” Sometimes that means, figure it out on your own. Sometimes it
Majnun Layla | HowlRound Theatre Commons
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
Gender, Disability, Transmedia, and Balkan Folklore
In chatting with Mustatea, she shared that ielele is traditionally understood as a female forest creature in Balkan folklore whose eerie voices led men astray.
Reclaiming Sovereignty in Theatre with Murielle Borst Tarrant
Murielle Borst Tarrant: So one of the frustrating things is it’s easier for a non-Native person to direct Native people. Right? No one questions it.
The Festival of Live Digital Art (FOLDA) 2024
The Festival of Live Digital Art (FOLDA) is produced by Spiderwebshow Performance. Mission: Empowering the global community with boundary-pushing live digital artistry that transcends barriers
The Theatrical Jazz Conference | HowlRound Theatre Commons
Pillsbury House and Theatre (PH+T) is thrilled to present panels from the Theatrical Jazz Concert at The University of Minnesota that celebrates and extends the
The Theatrical Jazz Concert | HowlRound Theatre Commons
Pillsbury House and Theatre (PH+T) is thrilled to present panels from the Theatrical Jazz Concert at The University of Minnesota that celebrates and extends the
How One Nigerian Theatre Project Turned Students into Climate Activists
Working with the youngsters and teachers of Anwai Primary School was both tasking and interesting as we guided the children in creating a stage performance.
The Triumph of Horus | HowlRound Theatre Commons
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
The German Theatre System Has a Problem With Power and Discrimination
The German theatre system has a lot of structural problems: it is defined by the demand for unlimited availability of all artists and employees