Four Decades, Three Versions, but Only One Real Women Have Curves
By Carlos Morton. For almost forty years, Real Women Have Curves has pulled audiences in with its story of Latine women in a sewing factory
The Open Questions of B Kleymeyer's As Others Have Before
By Dani Lamorte. How can a life be organized? What authority should an archive hold? Source link
Consistent Craft with Aganza Kisaka
By Yura Sapi, Aganza Kisaka. Aganza Kisaka, Founder of Yenze Theatre Conservatoire, discusses being an entrepreneur, a teacher, and an artist in Uganda. She reflects
Queer Bodies Open Portals to New Worlds
By Laura Grothaus. “If your body is a portal, where does it lead?” This question led the creation of Paradise Portals, an immersive performance and
Dramaturgical Marginalia from the 2025 Fornés Institute Symposium
By Carla Della Gatta. To understand the impact of the 2025 Fornés Institute Symposium, one must look to both the events on the schedule and
“Are We Not Fellow Travelers?” Equity and Representation on New York Stages
By Emily Chackerian. Is New York theatre backsliding into a less equitable industry? Source link
How Stage Left Is Reopening Storefront Theatre in Chicago
By Seth Wilson. When Stage Left Theatre went looking for a space to produce The Distrikt of Lake Michigun, they turned to Chicago’s history of
Cultivating the Fornésian Garden
By Anna Dolores Novak. In March 2025, the Latinx Theatre Commons convened a daylong symposium to honor and explore the work of María Irene Fornés.
Feasting on Politics and Romance at the Iloilo Theater Festival
By Amanda L. Andrei. “Add Theater to Taste” was the recent theme of the annual Iloilo Theater Festival in the Philippines. Heritage language learner Amanda
O-Teatron: Special Focus on Syrian Stages
By Mona Merhi. This digital showcase lands as a direct response to the recent political transformations in Syria and includes two live artist discussions that