On a Theatrical Pilgrimage to See Carolina Bianchi and Cara de Cavalo's Chapter II: The Brotherhood
By Amanda L. Andrei. Amanda L. Andrei crossed continents to see Carolina Bianchi and Cara de Cavalo’s Chapter II: The Brotherhood in search of transformation.
Golden Thread's First Decade
By Torange Yeghiazarian, Marina Johnson, Nabra Nelson. This episode is a deep dive into the founding of Golden Thread Productions with founding artistic director Torange
This Piece May Not Be Fed Into Any LLM or Other AI Software for Any Reason Whatsoever
By Kate Brennan, Rachel Anderson-Rabern, David Lee White. Technological innovation is outpacing labor protections, and theatre is not immune to this phenomenon. Source link
For Palestinian Theatremakers, the Future Is a Dangerous Question
By Bayan Shbib. The Writing the Future workshop intended to create space where young Palestinian theatremakers’ could articulate their own precarity through monologue and solo
A Conversation with Joey Arias
By Kristin Marting. On 6 April 2026, TORCHES continues with a conversation with the incomparable performance artist and cabaret singer Joey Arias. Source link
Thirty Years of MENA Theatre
By Marina Johnson, Nabra Nelson. Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African, and Southwest Asian theatre in
A Conversation with Heather Christian
By Kristin Marting. On 30 March 2026, TORCHES continues with a conversation with the awe-inspiring, award-winning composer and performer Heather Christian, who was most recently
Embracing Universal Memory
By Dorcy Rugamba . Dorcy Rugamba advocates for a theatre that enables us to embrace other histories and draw on the full breadth of human
Symposium and Book Launch for Latin American Plays in Translation
By . Join us for a conversation about creating theatre across borders, its challenges and possibilities, and imagine with us a global community that crosses
We Begin With Classics: How To Radically Impact the Theater Landscape
By . In this panel discussion, we unpack how a more inclusive canon could radically change the future of the theatre, and the histories we