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Ask any pastor about times when Americans tend to take stock of their religious commitments and it’s likely you will hear something like the following.
For most people, but especially for those who are married or/or have children, there are obvious gateways from one stage of life to another and, frequently, there are religious teachings and rites that go with them. Think birth, baptism, marriage, children, aging and, finally, death. In many lives, there are moments of conversion or doubt, as well as life-threatening illnesses and tragedies. Divorce? Broken relationships with children? Yes, more symbolic gates.
Clergy know they will have to help women and men deal with these gates. I have always argued, in discussions with editors, that these gateways are often linked to important trends and news events. Changing a prayerbook or hymnal, for example, may threaten doctrines and symbols that, for the devout, are linked to rites that frame these life events.
This brings us to this week’s “Crossroads” podcast (CLICK HERE to tune that in), which focuses on some news and commentary about the life of one of Hollywood’s greatest superstars — Marilyn Monroe. The problem is that the controversial, lurid new movie “Blonde” includes events and images that clearly link abortion to other life-defining events, especially horrors such as rape and other forms of sexual and emotional abuse.
Abortion can lead to grief and may be viewed as a form of violence against women? That pushes several hot buttons at the same time, and not just for right-wing Christians in the Bible Belt. Consider the symbolism of mourners visiting the famous Garden of Unborn Children in Japan.
As always, let me stress that abortion is a topic that, for many, raises religious issues — as well as moral, legal and political questions. This raises challenges for journalists and artists alike.
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